Como usar adobe photoshop cs5 extended free. The Magic Wand Tool In Photoshop
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Como usar adobe photoshop cs5 extended free -
What if I want to select just the specific shade of gray I click on in the gradient and nothing else? In that case, I'd set my Tolerance value to 0, which tells Photoshop not to include any pixels in the selection except those that are an exact match in color and tone to the area I click on:. With Tolerance set to 0, I'll click again on the same spot in the center of the gradient, and this time, we get a very narrow selection outline.
Every pixel that's not an exact match to the specific shade of gray I clicked on is ignored:. You can set the Tolerance option to any value between 0 and The higher the value, the wider the range of pixels that Photoshop will select. A Tolerance setting of will effectively select the entire image, so you'll usually want to try a lower value.
As we were exploring the effect the Tolerance setting has on Magic Wand selections, you may have noticed something strange. Each time I clicked on the gradient above the red bar, Photoshop selected a certain range of pixels but only in the gradient I was clicking on. The gradient below the red bar, which is identical to the gradient I was clicking on, was completely ignored, even though it obviously contained shades of gray that should have been included in the selection.
Why were the pixels in the lower gradient not included? The reason has to do with another important option in the Options Bar - Contiguous. With Contiguous selected, as it is by default, Photoshop will only select pixels that fall within the acceptable tone and color range determined by the Tolerance option and are side by side each other in the same area you clicked on. Any pixels that are within the acceptable Tolerance range but are separated from the area you clicked on by pixels that fall outside the Tolerance range will not be included in the selection.
In the case of my gradients, the pixels in the bottom gradient that should otherwise have been included in the selection were ignored because they were cut off from the area I clicked on by the pixels in the red bar which were not within the Tolerance range.
Let's see what happens when I uncheck the Contiguous option. I'll also reset my Tolerance setting to its default value of I'll click again in the center of the upper gradient with the Magic Wand, and this time, with Contiguous unchecked, the pixels in the bottom gradient that fall within the Tolerance range are also selected, even though they're still separated from the area I clicked on by the red bar:.
Up next, we'll look at some additional options for the Magic Wand and a real world example of it in action as we use it to quickly select and replace the sky in a photo!
Shortcodes, Actions and Filters Plugin: Error in shortcode [ ads-basics-middle ]. Tolerance and Contiguous are the two options that have the biggest impact on the Magic Wand, but there's a couple of other options worth noting. Since the Magic Wand selects pixels and pixels are square-shaped, our selection edges can sometimes appear harsh and jagged, often referred to as a "stair stepping" effect.
Photoshop can smooth out the edges by applying a slight blur to them, a process known as anti-aliasing. We can turn anti-aliasing for the Magic Wand on and off by checking or unchecking the Anti-alias option in the Options Bar. By default, it's enabled and in most cases you'll want to leave it enabled:. Also by default, when you click on an image with the Magic Wand, it looks for pixels to select only on the layer that's currently active in the Layers panel.
This is usually what we want, but if your document contains multiple layers and you want Photoshop to include all the layers in your selection, select the Sample All Layers option in the Options Bar.
It's unchecked by default:. Shortcodes, Actions and Filters Plugin: Error in shortcode [ ads-basics-middle-2 ]. Here's an image I have open in Photoshop. I like the photo in general, but the sky could look more interesting. I think I'll replace the sky with a different one:. Replacing the sky means I'll first need to select it. As I mentioned earlier, the Magic Wand excels at selecting large areas of solid color, and since the sky is clear blue with only a slight variation in the tone, the Magic Wand will make selecting it easy.
With the tool selected and all of its options in the Options Bar set back to their defaults Tolerance 32, Contiguous checked , I'll click somewhere in the top left of the image:.
If the sky had been solid blue, the Magic Wand would have had no trouble selecting all of it with that one single click. However, the sky actually transitions from a lighter shade of blue just above the buildings to a darker shade near the top of the photo, and my Tolerance value of 32 wasn't quite high enough to cover that entire range of tonal values, leaving a large area of the sky directly above the buildings out of the selection:.
Since my initial attempt failed to select the entire sky because my Tolerance value was too low, I could try again with a higher Tolerance value, but there's an easier way to fix the problem. As with Photoshop's other selection tools, the Magic Wand has the option to add to existing selections , which means I can keep the selection I've started with and simply add more of the sky to it!
To add to a selection, hold down your Shift key and click in the area you need to add. In my case, with Shift held down, I'll click somewhere inside the sky that wasn't included in the selection initially:. And just like that, Photoshop was able to add the remaining area of the sky to the selection. Two clicks with the Magic Wand was all it needed:.
Select the Frame Tool from the Tools panel or press 'K'. In the Tool options bar, choose a rectangular frame or an elliptical frame. Draw a new frame on the canvas. Convert any shape or text to a frame.
Click OK. Draw a frame over an existing image on the canvas. With an existing image on the canvas, draw a frame over the desired area of the image. When you draw the frame, the image is masked by the frame boundaries.
When you draw a frame on a pixel layer or drag a pixel layer into an empty frame in the Layers panel, the pixel layer is automatically converted to a Smart Object.
Place an image into a frame. You can place content in a frame in any of the following ways: Drag an Adobe Stock asset or a libraries asset from the Libraries panel into the frame. Drag an image from your local disk into the frame.
The image is placed as Embedded Smart Object. Select a frame. In the dialog box that appears, select an image that you want to place in the selected frame. The image is placed as Linked or Embedded Smart Object.
In the Layers panel, drag a pixel layer into an empty frame. The pixel layer is automatically converted to a Smart Object. Frame layer in the Layers panel. Select a frame or its content. Select both the frame and its image. To select both the frame and its image, do any of the following: On the Canvas, click the inset image once. In the Layers panel, click the frame layer. In this selection state, the frame and the image can be moved or transformed together.
Select the image only. To select only the inset image and not the frame, do any of the following: On the Canvas, double-click the image. In the Layers panel, click the content thumbnail in the frame layer. Select the frame only. To select the frame only, do any of the following: In any of the selection states mentioned above, click once on the frame's border in the Canvas area. In the Layers panel, click the frame thumbnail in the frame layer. You can now transform the frame independently.
Replace a frame's content. Dropping a new image in a frame replaces its existing inset image. Do any one of the following: Drag an image from the Libraries panel into the frame in the Canvas area or over the frame layer in the Layers panel. Drag an image from local disk into the frame in the Canvas area.
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